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Book
Das Bild vom Bauern : Vorstellungen und Wirklichkeit vom 16. Jahrhundert bis zur Gegenwart
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Year: 1978 Publisher: Berlin Museum für Deutsche Volkskunde, Berlin

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Book
Rural memory, pagan idolatry : Pieter Bruegel's peasant shrines

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Book
Der Kölner Bauer
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Year: 1987 Publisher: Keulen Stadt Köln

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Digital
Producing the vernacular : Antwerp, cultural archaeology and the Bruegelian peasant
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Year: 2011

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From the mid-sixteenth century, Antwerp saw an explosion of printed histories, etymological research into place names, and Netherlandish dialects, as well as the publication of Dutch dictionaries and grammars. Simultaneously, Antwerps art market saw a boom in the production of peasant scenes and the rising fame of Pieter Bruegel the Elder. In this article, I will argue that in both pictorial and textual representation, the peasant acted as a metaphoric vehicle, a type of living archaeological record and embodiment of local history, central to the production of a uniquely Netherlandish vernacular cultural identity.


Digital
De boer in de beeldende kunst : een spiegel van de samenleving
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Year: 2017 Publisher: Leuven CAG

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Book
De boer in de kunst : van de 9e tot de 19e eeuw
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Year: 1939 Publisher: Rotterdam Wyt

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Book
Das Bild des bäuerlichen Lebens bei Adriaen van Ostade

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The tradition and the sources of the Peasant's World of Pieter Bruegel
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Year: 1978 Publisher: Place of publication unknown publisher unknown

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Digital
Albrecht Dürer’s Peasant engravings: a different Laocoön, or the birth of aesthetic subversion in the spirit of the reformation

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This article addresses the genesis and reception of three engravings representing peasants made by Albrecht Dürer between the years 1514 and 1519. These images have been interpreted as social commentary or low-brow farce; I argue their importance is art theoretical. In my view, they are the result of Dürer’s 1505–6 visit to Venice, where Italian artists derided his ability to work in a classical idiom. In response, I argue, Dürer developed a method of imitation that I call “inverse citation,” which veils a famous antique model in the guise ofa boorish peasant. Following Luther’s rebellion against the Church, northern artists took up this technique with more polemical aims.


Digital
Albrecht Dürer's peasant engravings: a different Laocoön, or the Birth of aesthetic subversion in the spirit of the Reformation
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Year: 2011

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